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Showing posts from November, 2023

Season's greetings from DUF

  Christmas gift hamper: Paul Goldman’s working-class noir Suburban Mayhem (2006) , about a femme fatale’s machinations to get her brother out of prison, starts strong but runs out of steam; despite a committed and star-making (in another film industry alas) lead turn from Emily Barclay, its diabolical streak eventually becomes tiresome. Much as Emily Barclay is the MVP of Suburban Mayhem , the wonderfully expressive Miranda Otto is the MVP of Love Serenade (1996) [1]. Shirley Barrett’s Camera d’Or winning film, about small-town sisters (Otto and Rebecca Frith) enchanted by the arrival of a new radio host (George Shevstov), is willfully offbeat and indefatigably charming. Little Australian film headlined by child star of beloved global blockbuster #1: From the star of E.T. and the director of Turkey Shoot ...  While it’s unlikely E.T. would have survived the blood sport of Turkey Shoot , his pal Henry Thomas negotiates Trenchard-Smith’s Frog Dreaming (1986) intact. ...